Nicole Kidman is moving forward with her separation from Keith Urban and she has officially…
Month: September 2025
Toronto 2025 Wrap: Reviews, Interviews, News, and More
Our coverage of the 50th edition of the Toronto International Film Festival (TIFF) is drawing…
THE HOLY BOY: Shudder Acquires Paolo Strippoli’s Arthouse Horror, Plans a 2026 Release
Shudder has acquired the North American and UK/IRE rights for Paolo Strippoli’s arthouse horror film….
Ṣọpẹ́ Dìrísù Leads Cast of Gareth Evans & Amazon MGM’s Remake Of ’60s Japanese Crime Pic A COLT IS MY PASSPORT
Holy crap. Gareth Evans has secretly shot a remake of the 60s Japanese yakuza thriller,…
New York 2025 Review: LATE FAME, Tender, Bittersweet Dramedy About Horrors of Needing Validation
Willem DaFoe, Edmund Donovan, and Greta Lee star in Kent Jones’ sophomore feature. [Read the…
Pretty Packaging: THE KEEP Cross Replica Limited Edition Is A Keeper
Physical media may be considered a niche market nowadays, but if you’re part of that…
Toronto 2025 Review: FOLLIES Portrays Polyamory’s Awkward Learning Curve
Canadian filmmaker Eric K. Boulianne examines the shifting dynamics of long-term intimacy through the lens…
Toronto 2025 Review: LOVELY DAY Turns a Wedding Movie Into a Neurotic Comedy of Errors
Philippe Falardeau adapts Alain Farah’s autobiographical novel into a formally restless portrait of anxiety and…
Toronto 2025 Review: FRANZ Uses a Fragmented, Hybrid Form to Portray Kafka Beyond the Conventional Biopic
Selected as Poland’s submission for the Academy Awards, Agnieszka Holland’s film approaches the challenge of…
ANEMONE Review: Daniel Day-Lewis Returns in a Middling, Muddled Domestic Drama
If an actor’s much-anticipated return after a nearly a decade in self-imposed retirement counts as…
