Philippe Falardeau adapts Alain Farah’s autobiographical novel into a formally restless portrait of anxiety and…
Category: Movies
Toronto 2025 Review: FRANZ Uses a Fragmented, Hybrid Form to Portray Kafka Beyond the Conventional Biopic
Selected as Poland’s submission for the Academy Awards, Agnieszka Holland’s film approaches the challenge of…
ANEMONE Review: Daniel Day-Lewis Returns in a Middling, Muddled Domestic Drama
If an actor’s much-anticipated return after a nearly a decade in self-imposed retirement counts as…
DOGS OF WAR: Kiah Roache-Turner’s Next WWII-Set Creature Horror Announced! Worldwide Sales to Launch at AFM
Deadline reported this morning that UK sales firm Architect has launched worldwide sales ahead of…
SONS OF THE NEON NIGHT Review: Juno Mak’s Long-Gestating Hong Kong Crime Epic Is all Surface, No Feeling
Visually striking yet narratively incoherent, Juno Mak’s ambitiously staged yet lethargically paced Hong Kong crime…
New York 2025 Review: AFTER THE HUNT, Psychological Drama Aims at Everything at Once, Misses All the Targets
Julia Roberts, Andew Garfield, Ayo Edibiri, Michael Stuhlberg, and Chloe Sevigny star in Luca Guadagnino’s…
Vlissingen 2025 Review: Brendan Canty’s CHRISTY
Normally with reviews, we try to put the title of the film as close to…
New York 2025 Review: THE MASTERMIND, Underwhelming Genre Exercise
Josh O’Connor, Alana Haim, John Magaro star in Kelly Reichardt’s new film. [Read the whole…
New York 2025 Review: PIN DE FARTIE, Choreographed Verbal Farewells
Laura Paredes, Marcos Ferrante and Santigo Gobernori star in Argentine director Alejo Moguillansky’s film. [Read…
New York 2025 Review: DRACULA, Sucking the Blood of the Proletariat
Radu Jude directs a decidedly and intentionally bad movie. [Read the whole post on screenanarchy.com…]
