Shudder has acquired the North American and UK/IRE rights for Paolo Strippoli’s arthouse horror film….
Ṣọpẹ́ Dìrísù Leads Cast of Gareth Evans & Amazon MGM’s Remake Of ’60s Japanese Crime Pic A COLT IS MY PASSPORT
Holy crap. Gareth Evans has secretly shot a remake of the 60s Japanese yakuza thriller,…
New York 2025 Review: LATE FAME, Tender, Bittersweet Dramedy About Horrors of Needing Validation
Willem DaFoe, Edmund Donovan, and Greta Lee star in Kent Jones’ sophomore feature. [Read the…
Pretty Packaging: THE KEEP Cross Replica Limited Edition Is A Keeper
Physical media may be considered a niche market nowadays, but if you’re part of that…
Toronto 2025 Review: FOLLIES Portrays Polyamory’s Awkward Learning Curve
Canadian filmmaker Eric K. Boulianne examines the shifting dynamics of long-term intimacy through the lens…
Toronto 2025 Review: LOVELY DAY Turns a Wedding Movie Into a Neurotic Comedy of Errors
Philippe Falardeau adapts Alain Farah’s autobiographical novel into a formally restless portrait of anxiety and…
Toronto 2025 Review: FRANZ Uses a Fragmented, Hybrid Form to Portray Kafka Beyond the Conventional Biopic
Selected as Poland’s submission for the Academy Awards, Agnieszka Holland’s film approaches the challenge of…
ANEMONE Review: Daniel Day-Lewis Returns in a Middling, Muddled Domestic Drama
If an actor’s much-anticipated return after a nearly a decade in self-imposed retirement counts as…
DOGS OF WAR: Kiah Roache-Turner’s Next WWII-Set Creature Horror Announced! Worldwide Sales to Launch at AFM
Deadline reported this morning that UK sales firm Architect has launched worldwide sales ahead of…
SONS OF THE NEON NIGHT Review: Juno Mak’s Long-Gestating Hong Kong Crime Epic Is all Surface, No Feeling
Visually striking yet narratively incoherent, Juno Mak’s ambitiously staged yet lethargically paced Hong Kong crime…