After delivering the widely acclaimed Manjummel Boys, director Chidambaram returns with another intriguing film featuring Adhisheshan, Farzana Palathingal, Muhammed Zinaan, and Dolly June in key roles, alongside special appearances by Tovino Thomas, Jean Paul Lal, Girish AD, and Beena Antony. Backed by producers Venkat K. Narayana and Shailaja Desai Fenn, the film carries strong technical credentials with Sushin Shyam composing the music, Shyju Khalid handling cinematography, and Vivek Harshan taking charge of editing. With a talented cast and crew coming together, the film has generated decent curiosity among audiences. Does it live up to the expectations and deliver a memorable cinematic experience? Let’s find out.
Story:
Balan – The Boy follows a woman (Farzana Palathingal) who is released from prison after serving a sentence for murder. Along with her young son (Adhisheshan KR), she lives under fake identities, constantly moving from one place to another to avoid being traced. While the boy has grown accustomed to this unusual lifestyle, he remains unaware of the secrets his mother is hiding. Their lives take a dramatic turn when she takes up a job caring for an elderly woman, and someone from her prison past discovers her whereabouts. Why is she constantly on the run? What truth is she hiding from her son? The answers unfold as the story progresses.
What about on-screen performances?
Child actor Adhisheshan is the soul of the film. Despite having limited dialogue, he conveys emotions beautifully through his expressions and body language.
Farzana Palathingal delivers a remarkable performance as the troubled mother, carrying much of the film’s emotional burden on her shoulders.
ovino Thomas appears in an extended guest role and leaves a strong impression. The actress playing the elderly woman is excellent and brings warmth to her character despite being confined to a wheelchair for most of the film.
The actors portraying Police Officer Pavithran and the grown-up version of the boy also perform effectively. The supporting cast contributes significantly to the film’s grounded tone.
What about off-screen performances?
Shyju Khalid’s cinematography captures Kerala’s landscapes beautifully while also enhancing the film’s tense atmosphere. The production design feels authentic, helping the audience immerse themselves in the story.
Sushin Shyam’s background score is one of the film’s biggest assets. The music intensifies both the suspense and emotional moments, elevating several key scenes. The songs themselves are serviceable but not particularly memorable.
Editing is mostly effective, though trimming a few scenes in the latter half could have resulted in a tighter experience. Chidambaram deserves appreciation for crafting a psychological thriller that relies more on character emotions and mystery than conventional thrills.
Malayalam cinema has built a strong reputation for delivering gripping thrillers, and Balan – The Boy is another notable addition to that tradition. Written by the creator behind Aavesham and directed by Chidambaram of Manjummel Boys fame, the film arrived with decent expectations among both Malayalam and Telugu audiences.
The narrative begins as a mystery and slowly transforms into an emotional survival drama. The first half primarily focuses on the mother and son constantly changing identities and locations. These portions are intriguing because the audience is kept guessing about their past.
Chidambaram effectively creates an atmosphere of unease and suspense without revealing too much. The film gains momentum once the pair settles in the village. While a few scenes feel stretched, the curiosity surrounding the mother’s true intentions keeps viewers invested.
The interval block creates genuine tension as the mother and son become separated, leaving the audience eager for answers. The second half shifts focus to the grown-up boy and his quest to uncover the truth about his mother. This portion is emotionally stronger and explores themes of abandonment, guilt, identity, and redemption.
The emotional impact of a child losing his mother at a crucial stage works exceptionally well. However, some sequences involving Tovino Thomas’s character feel prolonged and slightly affect the pacing.
That said, the screenplay leaves a few unanswered questions. The exact reason behind the mother’s constant escape from society is never fully explored. Even after leaving prison, she is given opportunities to rebuild her life, but the film does not completely explain why she rejects them.
One of the film’s biggest strengths is its climax. Just when the audience believes they have figured out the mystery, the film delivers a surprising twist that changes the perspective of several earlier events. The ending leaves room for interpretation and possibly a sequel.
What’s Hot:
Basic Storyline
Performances of the lead cast
Engaging drama
What’s Not?
Slow pace
Predictable screenplay
Verdict:
Overall, Balan – The Boy is an engaging psychological thriller that successfully blends suspense with heartfelt emotions. While certain narrative gaps and pacing issues prevent it from reaching greater heights, the film’s compelling mystery, strong performances, and shocking climax make it a worthwhile watch.
TeluguBulletin.Com Rating 2.75/5
The post Balan – The Boy Review: A slow thriller that rewards patience appeared first on TeluguBulletin.com.
About the Author
